Like the haiku, which encapsulates patient language work in its essentiality and strives to convey profound meanings with few words, the Haiku collection hides more than one technical challenge.
In addition to the manual finishing performed while the piece is still raw, which requires great precision in handling, there is also the use of perpendicular lines, which goes against the very nature of ceramic material. However, it is precisely this bold choice that makes the collection even more surprising and fascinating.